Behringer x touch compact logic pro x free

Perfect fit. Thon Rack Adapter 1U Thomann V Black 10 Pack. Elgato Stream Deck XL. Behringer X Air XR Global Truss Half Coupler. Manfrotto Super Clamp. Stairville Stage Tape BK. Focusrite Scarlett 2i2 3rd Gen.

Stairville Power Split 6 Way Black. Rate now. Review guidelines. Pleasantly Surprised! When ordering this I was worried the build quality might be really cheap but as soon as I took it out of the box them worries went away. Although obviously not a high end product it does seem surprisingly sturdy and I was also surprised by it’s weight, which was more than I had expected. So far it has been reasonably easy to set up and start using although mapping out every knob and button will still take some figuring out.

Other than the necessary tinkering I haven’t yet come across any sizeable cons. On the pro side, it’s easy to use, quick to set up and obviously a nice compact size. One notable pro is the fact it does not require drivers to function so if you have no internet connection or simply can’t be bothered searching for drivers you don’t need to worry. That being said there are some customization features that will be missing without drivers.

In summary: Only getting started with this but so far so good. Great value for money. Report Do you believe this rating to be inaccurate or unacceptable for some reason?

Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions. Versatile unit from Behringer, much better built then previous BCF controllers. Although it is only MC control and not HUI, you can use a midi translator software or hardware to make it work well with Pro Tools, although it needs a little programming skills.

I like the Behringer control software that makes it very easy to configure the settings. No Software. So I bought this for school to work with Pro tools and Logic. A right cursor press is required to get to this. A Flip mode is available to bring the rotary values down to the faders. The rotaries are also push buttons, allowing them to be used for confirming routing assignments in Send mode and selecting inserts in Plug-in mode. In other contexts, pushing a rotary resets its assigned parameter to the default value.

The main display shows timeline position and the current encoder assignment page. Below this is a row of View buttons that show different track types in the mixer. You can also hold a mode button and select multiple tracks, or hold the Option button to change all tracks. As well as the usual channel strip and transport functionality, you get knob modes for controlling pans, sends and plug-ins.

Plug-in mode gives you fairly easy access to Devices, with the default assignment on Racks going to the eight Macros. Predictably, Propellerhead Reason has a different take on Mackie Control implementation. You also have the option to lock the X-Touch to any device, including the main mixer. The buttons and knobs do completely different things for each device, but the mappings are sensible. The ReDrum set is particularly fun, with channel select buttons triggering each sound, and the Rec buttons initiating sample recording directly into the drum channels.

In the main mixer, the mode buttons move the knobs around to the different sections, and the channel select buttons put the rotaries into single track focus. The functionality is somewhat sparse, unfortunately. If basic fader and transport control is all you need then all is well. Unfortunately the more intelligent rotary mappings are not implemented, despite these being supported by HUI. Live-sound production has been rapidly transforming of late, with a move to compact digital back-ends controlled by tablets and network-attached control surfaces.

Behringer have been early to jump into this market with their X-Air series products. These devices look like stage boxes, but feature mix and effects engines, all controlled from a tablet or laptop. The X-Touch can now be connected to an X-Air rig to add more traditional physical fader and knob control.

The implementation is deep. Logic and Cubase both have full support, with similar features and workflows. The displays generally show track name in the top half and a rotary value in the bottom, unless the rotaries are all focused on a single track. In the promotional pictures of the X-Touch, the displays are all lit up with different colours, but in all my DAW testing they were black and white. The encoders default to pan, but can be re-assigned to EQ, sends, plug-ins or instruments with the row of mode buttons at the top.

The first press of any of these will spill a single parameter of the chosen type to each track; a second press will switch the pots into a channel focus mode, where all the pots control a single object.

The cursor buttons can then be used to step through different parameters and bands. Tapping EQ again will redirect all the pots to the EQ on the selected track. Sends are a little awkward in that the default first assignment is the routing destination of send 1, instead of the level. A right cursor press is required to get to this. A Flip mode is available to bring the rotary values down to the faders. The rotaries are also push buttons, allowing them to be used for confirming routing assignments in Send mode and selecting inserts in Plug-in mode.

In other contexts, pushing a rotary resets its assigned parameter to the default value. The main display shows timeline position and the current encoder assignment page. Below this is a row of View buttons that show different track types in the mixer. You can also hold a mode button and select multiple tracks, or hold the Option button to change all tracks. As well as the usual channel strip and transport functionality, you get knob modes for controlling pans, sends and plug-ins.

Plug-in mode gives you fairly easy access to Devices, with the default assignment on Racks going to the eight Macros. Predictably, Propellerhead Reason has a different take on Mackie Control implementation. You also have the option to lock the X-Touch to any device, including the main mixer. The buttons and knobs do completely different things for each device, but the mappings are sensible. The ReDrum set is particularly fun, with channel select buttons triggering each sound, and the Rec buttons initiating sample recording directly into the drum channels.

In the main mixer, the mode buttons move the knobs around to the different sections, and the channel select buttons put the rotaries into single track focus. The functionality is somewhat sparse, unfortunately.

Behringer x touch compact logic pro x free

 
The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully- automated motorized faders, 16 rotary encoders with LED collars – and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH. Jan 15,  · In this video we take a more in depth look at how the Rotary Encoders, Transport and Layer Buttons of the X-TOUCH COMPACT Universal USB/MIDI Controller inter. Apr 04,  · Does anyone have experience using the Behringer X-Touch Compact control surface with Mainstage or Logic? I’m currently using a Nektar Panorama P6. I like the controls a lot, and the display is pretty helpful. But I don’t like the keyboard action, and I don’t like that every Apple software update.